A bear with a plant heart, human attachment, and an unresolved animal void. It inhabits these three dimensions that fail to align with each other, until a figure created by itself breaks in and reminds it of something uncomfortable: that not everything that exists can be felt. And that, even so, what is not felt also exists.

It originates from the workshop Emotional Memory and Illustration with Alberto Montt, held one week before the beginning of the pandemic. A moment prior to a significant rupture in my family life, when affective structures begin to come apart without yet having a name.

Through different graphic styles and chromatic ranges, the work builds an intimate cartography of what has been lived, where the image does not illustrate what happened, but reinterprets it, abstracts it, and reorganizes it.

An intimate photographic self-exploration where the body reveals itself as a territory in transformation, shaped by life changes that redefine its form, its rhythm, and its perception.

From the reflection of the lens and the mirror, a new skin emerges in front of myself, in relation to age and to others.